Becky Hendrick: The Writing
  • Published Works
  • Résumé
  • 21st Century
    • Say What? (2002)
    • Vigilance (2004)
  • 20th CENTURY
    • Reviews >
      • Sustained Visions
      • ART: El Paso's Scene (2007)
    • The Mechanics of Memory (1998)
    • Public Exposure (1983)
  • PERSONAL
    • The Cormac Story (2022)
    • Alchemy (2018)
    • MINE! (2014)
    • Rest In Peace (2012)
    • Oscar is Dead (2010)
    • Some Days (2010)
    • Diagnosis (2010)
    • Dog Bite Story (2010)
    • Egg Hunts of Yore (2010)
    • Pictures and Their Stories #1
    • How to be Happy (2010)
    • Private Stock #1 (2001)
    • Private Stock #2 (2020)
    • Memorial (2001)
  • MEMORIES
    • MEXICO
(This was composed in the 20th century and only recently discovered in an old journal. I will add photographs and more stories from this special era -- the late 1970s -- when/if I find them. And, as usual, I apologize for the low-tech appearance and disorganization of this -- and any other -- website of mine, but I am intentionally keeping "it" simple.)

​

MEMORIES of MEXICO
​ San Miguel in  the 70s




Billy Joel’s 52nd Street :  I sing, and I can smell my apartment in San Miguel. There must be a word for that…
 
                                                                                                  
Is it a smell? A feeling?

Dancing. In the kitchen.

Cooking? What did I cook? Drinking brandy.

Oh, Havanna, I’ve been searching for you everywhere.

Dancing. Feeling ALIVE, home.

That apartment: SILENT.


I had to learn to live in it and to not fear entering a silent space. Choosing the music.  52nd Street. I loved going to bed, to sleep. Get a little high, look out over town, REVEL. Freedom. Bed was my friend, but not an escape; I’d crawl in a feel myself going to sleep. The temperature was perfect – no heat – with that light cotton spread, plaid Mexican colors, all of them. And the pink cotton “door” to the closet.


I remember.
 

I never ask you where you go…
We go our different ways to separate situations,
I’m just beginning to feel, to give. To feel, to live.
I have been waiting so long.
 
 

I want to be left alone for a while, what Mother disdained in her father, my inheritance, to do my own thing. To remember that time, how it felt, how I felt.
(I have the flux today. Maybe that brings Mexico back, that episode.)


Memories: walking up the hill in the rain, feeling a decision, a change of destiny. Climbing over the pig stall. Bernardo’s teeth. San José del Pacifico: the blind woman on a precipice. The woman with no legs, skirt in a circle on the dirt floor, making sierras of masa for a cooked egg, and coffee so sweet in big cups. Songs winding up from the shower down below.
​
​
Synesthesia.


I don’t need you to worry for me ‘cause I’m all right. Go ahead with your own life, and leave me alone.
 
 
 
 
 


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